-40%
RICHARD LENBURG (USA) '72 PENCIL SIGNED B & W GEO-ABSTRACT TITLED AQUATINT #2/10
$ 336.6
- Description
- Size Guide
Description
RICHARD LENBURG(AME
RI
CAN,
20TH CENTURY)
(19)72 PENCIL SIGNED, GEO-ABSTRACT,
BLACK &
WHITE
AQUATINT PRINT, EDITION #2/10, TITLED
'FISSION OF FORMS AT A METAPHYSICAL MOMENT'
IN ORIGINAL POLISHED CHROME METAL FRAME,
MATTED & UNDER GLASS
Dated 1972
Mid-20th century
vintage
Ame
ri
can
Modernist
printmaking & fine art works on paper
TITLED:
'Fission Of Forms At A Metaphysical Moment'
DIMENSIONS:
Frame:
26 1⁄4" Height x 34 1⁄2" Width
Image in mat window:
21" Height x 29" Width
DESCRIPTION:
This absolutely wonderful
Modernist
black and white aquatint print is a large formatted piece and is artist signed in pencil, dated
1972,
titled
'Fission Of Forms at a Metaphysical Moment'
and is
edition #2/10.
It was done by the
Ame
ri
can
Modernist
artist
Richard Lenburg
and was found in a fine estate in southeastern Massachusetts along with three other of
Lenburg's
works on display in the sitting room of their palatial home. This particular large, horizontal formatted geo-abstract black and white aquatint print hung to the side of their sofa. This work was one of the largest of the four works and perhaps one of the most visually stunning and arresting work. It's fashioned in black and white and features wet on wet technique and a variety of mid-tone grays, often running, flowing and bleeding into each other. The image is comprised of a series of small static white and black and white squares, which look like architectural structures, levitating over the tumultuous, churning surface, connected by thin white lines or tunnels. Enigmatic and other worldly. As visually engaging as it is conceptually challenging. Wonderful.
CONDITION:
Very Good to Excellent overall vintage condition. The aquatint print is under glass as it originally was framed and if it is to be shipped internationally to a buyer overseas, it will be shipped with only the black and white aquatint print and original mat board presentation but without the large pane of glass to avoid damaging the print during shipping and to avoid unnecessarily high international shipping costs due to the weight of the glass.